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Amazon.com Review
Amazon Exclusive: Scott Westerfeld Reviews The Forest of Hands and Teeth
Scott Westerfeld is the author of three sets of books for young adults, including the Uglies series, the Midnighters series, and a series of stand-alone novels set in contemporary New York, including So Yesterday, Peeps, and The Last Days. Both Uglies and Peeps were named Best Books for Young Adults by the American Library Association in 2006. Read his exclusive Amazon guest review of The Forest of Hands and Teeth:
Teenagers love a good apocalypse. Who doesn’t? All those annoying rules suspended. Society’s pretenses made irrelevant. Malls to be looted. School out forever.
But in The Forest and Hands and Teeth, Carrie Ryan’s marvelous debut novel, the post-apocalypse is defined more by constraints than freedoms. The book begins seven generations after the Return, an undead plague that has ended civilization as we know it. Of course, a zombie outbreak usually means shotguns and mall looting–the very essence of freedom. But more than a century on from the Return, the malls have already been looted, and shotguns are a distant memory. The novel’s heroine, Mary, lives in a village surrounded by one last vestige of industrial technology: a chain-link fence, beyond which is a vast forest full of shambling, eternally ravenous undead–the forest of hands and teeth. No villager ever goes outside this fence, unless they want to die. (And given this bleak scenario, some do.)
Mary’s world is bounded not only by the fence but by the archaic traditions of her people, which are enforced by a religious order called the Sisterhood. Marriages, childbirth, death, every stage of life must be controlled to sustain the village’s precarious existence. Even the houses are circumscribed–literally–with passages of scripture carved into every entrance to remind the inhabitants of the rules that sustain human life amid the horrors of the forest.
After so long an isolation, the village is beginning to forget. Some doubt that there really was a time before the Return, with giant cities and wondrous technologies. Others believe that nothing at all exists beyond the forest of hands and teeth. And nobody but Mary and her slightly mad mother believes in something called “the ocean,” a huge and unbounded space beyond the reach of the undead.
Mary is the sort of teenager who dreams of bigger things. Not just the ocean, but epic romance and adventure beyond the fence, maybe even other villages somewhere out there, safe behind their own fences. She believes that answers can be found to questions like, What made the Return happen? And what was it like before?
Escaping the confines of home for the greater world is, of course, one of the great themes of teen literature. But few heroes in any genre have faced an obstacle as daunting as the forest of hands and teeth. Though Ryan’s writing is as lyrical as her title, this novel is driven by the same grim relentlessness that animates any good zombie film. Elegant prose and undead hordes combine to create a story where high drama feels completely unforced, where tension is constant, and where an image as simple as the open sea is achingly romantic.
Zombies have been metaphors for many things: consumerism, contagion in an overpopulated world, the inevitability of death. But here they resonate with a particularly teenage realization about the world–that social limits and backward traditions are numberless and unstoppable, no matter how shambling they may seem at first.
And yet we must try to escape them anyway, lest we wither inside the fence.–Scott Westerfeld
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