The artistic inscription, or epigram, had been cultivated in Greece from an early period – less, however, as the vehicle of personal feeling than as the recognized commemoration of remarkable individuals or events on sepulchral monuments and votive offerings. The modern use of the epigram is a departure from the original sense, which simply indicated that the composition was intended to be engraved or inscribed.
Such a composition must necessarily be brief, and the restraints attendant upon its publication concurred with the simplicity of Greek taste in prescribing conciseness of expression, pregnancy of meaning, purity of diction, and singleness of thought as the indispensable conditions of excellence in the epigrammatic style. The examples in this recording represent some of the best ever written by masters such as Meleager, Plato, Polemon, Simonides, Agathias, Phillipus, Palladas, and Paulus Silentiarius.
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